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Jurassic Park (film score)
''Jurassic Park'' is the twelfth project on which renowned composer John Williams worked with Steven Spielberg. He composed, conducted (with Artie Kane) and produced the film's score. John Neufeld orchestrated most of the cues, with Alexander Courage entirely orchestrating three and Conrad Pope partially orchestrating two others.
MCA Records released a soundtrack album for the film on May 20, 1993. Also produced by Williams, this album includes most of the film's major cues, sometimes edited together into longer tracks and often containing material that was unused in the film. Several passages are also repeated in different tracks.
==Composition==
Williams began writing the ''Jurassic Park'' score at the film at the end of February, and it was conducted a month later; because Williams sustained a back injury during the scoring sessions, several cues were conducted by Artie Kane (Kane is uncredited on the film, but receives special thanks in the soundtrack album's credits). John Neufeld and Alexander Courage orchestrated the score.〔Shay, Don; Duncan, Jody (1993). ''The Making of Jurassic Park: An Adventure 65 million Years in the Making''. Boxtree Limited. p. 144–6. ISBN 1-85283-774-8.〕 The composition was made in Skywalker Ranch concurrently with the sound editing process, leading Williams to get inspiration from Gary Rydstrom's work with dinosaur noises.〔(Big Movie Sound Effects: Jurassic Park ), MPSE〕〔''(The Dolby Era: Film Sound in Contemporary Hollywood )''〕 Williams described it as "a rugged, noisy effort - a massive job of symphonic cartooning", saying that while trying to "have to match the rhythmic gyrations of the dinosaurs" he created "these kind of funny ballets". Like with another Steven Spielberg film he scored, ''Close Encounters of the Third Kind'', Williams felt he needed to write "pieces that would convey a sense of 'awe' and fascination" given it dealt with the "overwhelming happiness and excitement" that would emerge from seeing live dinosaurs. In turn more suspenseful scenes such as the ''Tyrannosaurus'' attack earned frightening themes.〔(The Making of Steven Spielberg's Jurassic Park )〕 It was the first time where Spielberg was unable to attend the recording sessions as he was in Poland filming ''Schindler's List''. Williams just gave Spielberg demo tapes with piano versions of the main themes prior to his travel, and the director would hear them daily on the way to the sets.〔"Return to Jurassic Park: The Next Step in Evolution", ''Jurassic Park'' Blu-Ray (2011)〕
The score uses a large orchestra that often includes a variety of percussion, two harps, baritone horns, and choir. Some passages also call for unusual woodwinds such as shakuhachi and E♭ piccolo oboe. Furthermore, Williams included synthesizers in much of the score. Some cues, such as "Dennis Steals the Embryos", feature them prominently, but many of the synth passages are mixed much more quietly, often doubling the woodwinds or helping flesh out the lower harmonies. Several prominent celeste solos (such as in "Remembering Petticoat Lane") are also performed on synthesizers.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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